MONTREAL — March 20, 2013 — At the 2013 NAB Show (Las Vegas, April 8-11, booth SL4616), Matrox® Video will demonstrate Matrox Monarch® HD, a small, easy-to-use video streaming and …
New Version of Content Storage Management System Supports LTO-6, Introduces AXF Explorer Interface, and Integrates With More Transcoding Workflows LOUISVILLE, Colo. — March 26, 2013 — Front Porch Digital, the …
A turn of the century church gets an Allen & Heath audio upgrade “We are a very energetic and dynamic congregation, there is a lot going on in our Church …
Eminent Spanish pro-audio distributor will support the digital signal processing brand with extensive training and trade show presence Digital signal processing specialist Symetrix has announced the appointment of Barcelona-based SeeSound …
Full Compass Systems, a national leader in professional audio, video, lighting and musical instrument sales, is proud to announce the addition of Michelle Grabel-Komar to its executive staff. Grabel-Komar joins …
By Bradley Currah
About 15 years ago I was a Worship and Arts Director at a fast growing church in Seattle. It was the very first church I’d ever led worship at, and I was the “director.” The average attender was maybe 24 years of age. The body mostly consisted of new believers, or believers who hadn’t attended a worship gathering for a number of years prior to discovering this new service. The band performed rock and pop music during the worship portion of the service, but without the typical repetitive choruses that are common to many contemporary services around the US – mostly because we weren’t familiar with many contemporary songs, and the few we did know didn’t seem to fit what we were doing. Instead, we wrote new songs and rearranged many old hymns.
The 600-seat River Oaks Community Church, in Goshen, Indiana, holds contemporary worship services, and on any given Sunday, serves 1,200 of its congregation. With a rotating pool of 25 musicians, a standard worship service consists of 5-10 members on stage. The church recently retired its aged analog console and upgraded to a new Yamaha CL5 digital audio console and Rio 3224-D and 1608-D input/output boxes, purchased from Mid-America Sound in Greenfield, Indiana.
“We had an analog console for about ten years that outlived its welcome”, states Tim Blaum, Program Director at the church and who installed the CL. “We realized we needed to have additional control and mixing space.”
Ten Robe Pointes have been delivered to Christ Fellowship Worship Centre in Palm Beach Gardens, Florida, USA, specified by Lighting Designer Aaron Leahy who is responsible for all lighting designs …
Sennheiser Petitions FCC to Compensate Owners of Wireless Microphone Equipment as Spectrum Faces Repacking for Second Time
Pending Spectrum Auction Jeopardizes Future Use of Wireless Microphones Operating in the 600 MHz Range, Unfairly Forcing Content Creators to Reinvest Again in Wireless Equipment
Audio specialist Sennheiser announced that it has recently filed comments with the Federal Communications Commission (FCC) in light of the pending spectrum auction scheduled to take place in 2014. The government auction, which jeopardizes the future use of wireless microphones and monitors operating in the 600 MHz range, will force many U.S. based content creators — including broadcast, film and live production professionals — to attempt to stage their shows using little more than half of the currently available UHF spectrum.
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Analog Way is pleased to announce the immediate availability of the entire Midra™ series. The MidraTM series, Analog Way’s new line of mid-range Mixers / Seamless Switchers, consists of 6 …
