Install News

DiGiCo Quantum Consoles Bring a Sonic Sea Change to Seacoast Church’s Audio Ecosystem

Seacoast Church is recognized as a pioneer in the field of church propagation, with a dozen physical locations in South Carolina and one in North...

Dutch Church Fitted With PROLIGHTS EclDisplay

The Mariakerk church in the small town of Oirschot, in the southern Netherlands, has been fitted with PROLIGHTS EclDisplay fixtures, a series of...

Fulcrum Acoustic’s FL283T Line Arrays At Grace Chapel

After operating as a mobile church for more than twenty years, Grace Chapel opened a multi-purpose facility in Wilsonville, Oregon for church...

900-Year-Old Cathedral Turns to the “Magic” of a Dante Audio Network for Efficient Sound System Installation, Management, Use Flexibility

Gloucester Cathedral in Gloucester, England is an extraordinary building with many historic treasures. The Cathedral, which dates to the year 1089,...

First Baptist Concord Sweetens Services and Deepens Connections with L-Acoustics L-ISA Technology and A Series Loudspeakers

First established in 1891, First Baptist Concord (FBC) is a Knoxville-area church that has witnessed considerable change over its 130 years. One thing that remains the same, however, is the pastoral team’s commitment to personally connecting with its parishioners. Case in point, when FBC took on the renovation of its 25-year-old main Worship Center last year, it chose to install L-ISA immersive technology using an L-Acoustics A Series-based loudspeaker system to further deepen and enrich the worship experience for its congregation.

Following several successful one-off projects with Solotech, the church approached the company’s Nashville team again to help it design and integrate new audio, video, and lighting systems for the space. Solotech Integrated Systems Designer Luke Lasater picks up the story: “We worked closely with L-Acoustics to design two PA options for the church—a standard left/right system and an L-ISA option. After reviewing the designs with the church, all agreed L-ISA was the way to go for many reasons: the budget was within a few thousand dollars to the traditional L/R system, coverage was better for the fan-shaped room, sightlines were improved with shorter hangs, and the ability to actually position the elements onstage in the ‘Scene’ of the L-ISA configuration meant that the singers, band, choir, and orchestra could all find a space in the mix. Plus, it gave much of the room a sense of space and a connection to what was happening onstage, which a dual-mono system with a traditional L/R setup in that wide room could not accomplish.”

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