Austin Ridge Bible Church is a multi-site non-denominal church consisting of three campuses. When its new flagship Bee...
LynTec Power Control Shines a Light on Mexico’s Largest Cathedral
LynTec, a leading manufacturer of innovative electrical power control solutions for professional audio, video, and...
Hippotizer Karst+ Delivers Winter Wonderland for Victory Worship Center
The Victory Worship Center, a multi-campus community church in Arizona, created a special Christmas service for its...
Vox Church Holds Drive-In Worship with dBTechnologies
As a response to the 2020 Covid-19 Pandemic, New Haven Connecticut-based Vox Church recently held three drive-in worship services using dBTechnologies DVA K5 Active Line Arrays and SUB 18H powered subwoofers. A growing church with seven locations, Vox has standardized on these dBTechnologies models for most of their needs and uses them for “load-in/load-out” services in several locations. This simplifies crew training, speeds setup and makes it easy to configure systems for large events like this.
The drive-in system, used for all three services, consisted of left and right arrays of 11 DVA K5s and a 3×3 end-fire cardioid array of SUB 18H subwoofers. Vox Church FOH engineer, Eugene Mulcahy used dBTechnologies Composer software to design and optimize the DVA arrays. “I did everything Composer told me to do,” he said. “And the predictions were right on. We had good audio out to at least 200 feet.”
LCBC Church Mic Upgrade Takes Sound and Comfort to the Next Level
LCBC Church, an evangelical megachurch with 14 campuses through Central Pennsylvania, is one of the largest and most well-known churches in America. As such, its leaders expect only the best from the equipment they purchase. When DPA Microphones released the world’s smallest high-end pro audio headset microphone, with a capsule that measures in at just 3 mm (0.12 in) in diameter, LCBC’s audio team took notice. Among the first houses of worship to purchase DPA’s award-winning 6066 CORE Subminiature Headset – one for each of its two primary communicators, the church selected the mic for its high-quality sound, sleek design, enhanced comfort and small form-factor.
“Our teaching team has been using DPA’s 4066 headset mics for years,” says Sean McDermott, Production Director, LCBC Church. “We have always appreciated the audio quality and reliability of that solution. When DPA introduced the 6066, we knew it was an obvious upgrade that would provide a more comfortable experience for our communicators, the classic natural DPA sound and an improved look for our broadcasts.”
Mexico’s José Peón Contreras Theater Selects LynTec’s RPC Series Controllable Breaker Panel
LynTec, a leading manufacturer of innovative electrical power control solutions for professional audio, video, and lighting systems, announced today that the RPC Series 341 remote control breaker panel is successfully installed at the José Peón Contreras Theater in Mérida, Mexico. Principal consultant and lighting designer Aleksandar Lalicki selected LynTec’s award-winning RPC breaker panel to deliver reliable, intelligent power control to the theater’s new LED lighting system.
“When my engineer and installer put in the LynTec panel for the first time, he told me, ‘Please don’t ever use relays and a switch panel with the breakers again. This is the spot-on solution, designed and built by engineers for engineers,'” said Lalicki. “Since then, with every new project that we’ve been involved with, we specify LynTec panels. In addition, we’re able to get the panels fast, within four weeks. We like to do things once and do them well, on time, and reliably — LynTec fits that philosophy.”
ADJ LED Lighting Rig Illuminates Community Music Festival At Historic Texas Venue
Following many weeks of covid-19 lockdown, the people of athens, texas had the opportunity to enjoy live music again...
Famous for Rocking the Biggest Sports Arenas in the World, Danley Jericho Horns Go to Church
South Haven Baptist Church in Springfield, Tennessee has been the community center for a steadily growing congregation since 1986. It expanded its campus in 1997 to include a high school and a gym and then expanded again in 2005 to include an elementary school and a daycare facility. After its congregation could no longer comfortably fit in its sanctuary, the church moved services to the high school gym for a number of years. Centerline AV of Hendersonville, Tennessee, designed and installed a Danley Sound Labs sound reinforcement system for the gym, which made the most of an imperfect situation. With an eye to the future, South Haven Baptist Church recently expanded its campus yet again, adding a 1000-seat sanctuary. And again, they called in Centerline AV to design and install an amazing sound reinforcement system centered on a stereo pair of Danley J1-94 Jericho Horns – the same boxes that rock the world’s largest sports arenas.
“South Haven Baptist Church is an independent Baptist church that holds services that are more on the traditional end of the spectrum,” explained Scott Oliver, Centerline AV principal. “Where other Baptist churches would have a praise band, they have a full orchestra, a choir, and a grand piano. Their new sanctuary is a big improvement over the gym that they had been using. The room is a rectangle that is wider than it is deep. Of course, there’s always an element of geometrical challenge when you try to put a speaker – which emits sound as a cone – in a rectangular room, but Danley’s excellent pattern control makes it a lot easier.”
Pleasant Grove Grows With Allen & Heath
Founded in 1835, Pleasant Grove Baptist Church has come a long way from its founding in an Owensboro, Kentucky log cabin. Just as the church has weathered over 185 years of growing pains and trials and tribulations, the congregation pivoted to social media and streaming services to stay connected in a socially-distanced world. As the church family begins to return to in-person services (at a 33% limited seating capacity with many health and safety precautions in place), an Allen & Heath SQ-7 console and ME personal monitoring system is there to sonically greet them.
“The audio quality difference is night and day,” says Alex Peake, Integration Specialist at JCA Media. “The church had been using another digital console brand before and immediately noted how much easier it is navigating and configuring the SQ. The musicians also appreciated the sonic difference in their in-ear mixes with the ME-1 over what they had before. It is important to provide a system like ME to get the tech out of the way and let the musicians focus on playing and worshiping again.”
Newhope Church in Durham, North Carolina Streams Its Live Services Using Waves eMotion LV1 Live Mixer
Dave Bookhout, Director of Creative Arts & Worship of Newhope Church in Durham, North Carolina, uses the Waves eMotion LV1 Live Mixer and Waves plugins to stream the church’s services. Streaming has grown increasingly important during the current health crisis, Bookhout says: “We’ve been broadcasting our services from our six campuses (Durham, Garner, Hillsborough, Wake Forest, Sanford, Kenya, and iCampus) for a while now; but since COVID, it’s become the most important thing we do on a weekly basis. Sometimes we broadcast live using the eMotion LV1, and at other times we pre-record and then mix and master the broadcast using Logic, with all the same Waves plugins that we use on the LV1. Week in and week out, we use the Waves eMotion LV1 live mixer in our broadcast suite.”
“We are running four Dell TouchScreen monitors in our setup,” Bookhout says about the church’s system; “Our DiGiGrid MGO optical MADI interface transports 128 channels between two MADI cards in our Midas Neutron and the Waves SoundGrid® network. We have a Waves SoundGrid Extreme Server to handle the plugin processing — we have almost every Waves plugin in our arsenal, and we are using many of them at any given time, so a powerful server is crucial. We also have a DiGiGrid IOC audio interface in our broadcast suite functioning as the LV1’s local I/O to transport audio to our studio monitors. We run 48 channels of the Waves SuperRack at front-of-house, using a Midas Pro X console, all I/Os being shared with the broadcast suite. So, we have 128 channels going on/off the Waves SoundGrid network, and the broadcast suite uses 72 channels while FOH has access to 48. We also utilize the SoundGrid Driver with a DAW for virtual sound check at both FOH and for broadcast, to get everything dialed in between our rehearsals and Sunday morning. That’s invaluable for us.”
Winnipeg Church Uses Renkus-Heinz to Put Sound Where You Want It: On The Congregation
The Fort Garry Mennonite Brethren Church in Winnipeg, Manitoba is, according to its head pastor Carl Heppner, “a vibrant faith community where people of all ages and backgrounds can find a place to belong.” It is also a contemporary church known in the area for incorporating a full band into its services. And that is why, when it came time to upgrade its audio capabilities, the church went with a system backed by Renkus-Heinz.
“The church wanted a cutting-edge system, from audio to video,” said Myron Dyck of Golden West Sound Design, the integrator who installed the new AV system. “What we installed encompasses everything from IP video distribution and projection, stage lighting and acoustical treatment, and the absolute best sound possible. So, that meant going with Renkus-Heinz.”
Church of the Highlands Turns to GLP X4 Bars in Major Technical Upgrade
Describing GLP’s award-winning X4 Bar 20 as “one of the greatest fixtures ever designed”, E2i Design’s Josh Holowicki had no hesitation in specifying it as an essential component in a major technological upgrade at Church of the Highlands’ Grants Mill broadcast campus in Alabama, USA. His decision was backed by Broadcast Lighting Director, Griffin McCravy.
E2i has been a partner with the Church since 2012, providing solutions for their broadcast and extension campuses with lighting and LED video technology. But this latest project was a year in the making due to their determination to select the very best fixtures and build flexibility within the already constructed worship facility. In their determination to create a ‘tour grade’ technical infrastructure, the visual upgrade to the stage space is an exciting and ongoing process.