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With a focus on helping houses of worship navigate the tricky world of AVL and production, Technologies for Worship Magazine offers educational articles, product reviews, product and industry news, and training opportunities for worship volunteers, technical directors, worship leaders, pastors and anyone else with a passion for excellence in worship production.

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ASCENSION OF OUR LORD CATHOLIC CHURCH DRAMATICALLY IMPROVES INTELLIGIBILITY WITH JUST TWO DANLEY SBH10 COLUMN LOUDSPEAKERS

After holding services in makeshift spaces for literally decades, the parishioners of Ascension of Our Lord Catholic Church were elated to finally have a 700-capacity church of their own in La Place, Louisiana. The year was 2001, but there were issues almost immediately. “The original sound reinforcement design was terrible, and they had it replaced within two months by a different contractor,” explained Matt Dupuy, installation technician with Assurance AV Solutions. Dupuy, who also was a member of the church member as a child, continued, “The new system was better, but not at all great. They limped along with it for nearly two decades. There were always complaints, but it remained a backburner issue.” Dupuy is a member of the Assurance AV Solutions team that recently replaced the problematic system with Danley Sound Labs SBH10 column-form, point-source loudspeakers, finally giving the church the sound reinforcement system it had always dreamed of.

“The church was frustrated,” said Chuck Breaux. “They had been dealing with complaints from the start, but now the system itself was getting old. Ascension of Our Lord’s sanctuary is pretty standard for a Catholic Church – lots of hard surfaces and a high ceiling and, thus, lots of reverberation. The church’s sound tech is knowledgeable and, between him and Dupuy, they had done the very best they could with the old system. We designed a Danley point-source system using Danley Direct modeling software and presented it to the church with a quote.”

First Bangor Presbyterian AV Upgrades With Martin Audio CDD

Originally dating back to 1623, the present First Bangor Presbyterian Church in Northern Ireland is a superb example of a traditional, early-Victorian Presbyterian meeting house.

When Rea Sound, who are based nearby, were first contacted by church manager George Monaghan, they were surprised both by the high level of organization, how specific the church was with its requirement, and how realistic it was with the large budget that would be needed to achieve this.

“In addition to a new sound system they wanted full AV and lighting as well,” stated Rea Sound project manager, Roger McMullan.

MusicHouse Calls on KRK Monitors To Produce Grammy Award-Winning Sound

Award-wining engineer Steve Marcantonio named his Nashville-based studio “MusicHouse” as a nod to the one constant that has existed throughout his life, a house full of music. Having mixed tracks for major recording artists such as Kelly Clarkson, Taylor Swift, Keith Urban, Rascal Flatts, Faith Hill, Carrie Underwood, and Blake Shelton, to name a few, Marcantonio is a renowned audio engineer in the Nashville recording scene. To hear the depths of his mixes without breaking the bank, Marcantonio relies on KRK Systems studio monitors and subwoofers, including the brand’s renowned V Series studio monitors and 10S powered studio subwoofer.

“I monitor at a low volume and the KRK V4 and V8 monitors both sound amazing at that level, which is really important, and the 10S sub helps out tremendously,” says Marcantonio. “I love my KRK V4 monitors more than anything; they’ve become a staple in my home studio. The V4s really fill the room and carry a lot of bottom-end, and the clarity and separation are really cool. KRKs are my favorite monitors to mix on as I know that they translate well, no matter where I’m working ― whether at the MusicHouse, The Blackbird Academy, or at home. KRK is second to none.”

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