Having been raised by a musical family, Carlos Henriquez was destined to find his passion for the performing arts. As a Juilliard Music Advancement Program (MAP) graduate with an impressive resume, Henriquez joined the Jazz at Lincoln Center orchestra in 1998. Over the past 22 years, Henriquez has been touring the world with the orchestra, having been featured on more than 25 albums. When the COVID-19 pandemic struck the U.S. in March, Henriquez found himself attempting to record music from home for the first time. In need of a high-quality microphone to capture pristine recordings in his makeshift home studio, Henriquez turned to MXL Microphone’s REVELATION II tube microphone.
Led by internationally acclaimed trumpeter Wynton Marsalis, the Jazz at Lincoln Center orchestra relies solely on acoustics, not using any amplification or monitors while on stage. With this style of recording, microphones are more important than ever. “For our performances, we solely rely on microphones, which are directed by our Acoustic Sound Engineer David Robinson and Audio Engineer Todd Whitelock,” says Henriquez. “When we first began working from home, I had nothing to offer in terms of sound other than my iPhone and laptop. I ended up capturing a couple of recordings on my iPhone, which Todd was able to work with. However, listening back, it was not the high-quality audio that we are accustomed to at Jazz at Lincoln Center. I knew I needed to do something about it.”