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Tech No Babel

Using a Live Video Production Camera

by Paul Alan Clifford

There’s a lot that’s different about live production cameras from DSLRs or even consumer camcorders.

Let’s start with the lens. A production lens has the ability to use a servo-controlled zoom as well as a mechanical focus. While the aperture is normally controlled with a CCU, it’s also possible to control that with a ring on the lens.

Production camera usually have a large view finder, but may also have an eye piece and even a flip-out viewfinder.

Normally, you’ll mount the camera on a tripod with both pan and tilt locks. The tilt lock should always be engaged when the camera isn’t being controlled by an operator.

Some cameras can be used as camcorders as well and may have configurations which allow studio control that can be removed for field use. These cameras may also be used handheld and their controls make that easy.

For more on how to use a production video camera, watch the video.


 

PaulAlanCliffordPaul Alan Clifford works with church staff and volunteers who want to use technology to impact people far from God, by navigating through the maze of possibilities and jargon. He wants your church to get past the hurdles and embrace the tools so that technology is a gift, not a burden. He has been a tech volunteer with Quest Community Church in Lexington, KY since 2000 and is the founder of TrinityDigitalMedia.com, llc.

Heliterally wrote the book on podcasting in churches, twitter in churches, & servant-hearted volunteering, as well as writing various articles for publications like “Church Production” and “Technologies for Worship” magazines.

Join him every week MondayFriday for these free, live shows on ChurchTechCast.com MondayFriday at 11a edt, 8a pdt, 3p utc:

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