Nerdy Church Talk Conference is a full three-day Church AVL conference for both the beginner and advanced Church AVL Tech! Join with speakers from Elevation Church, Bethel Church, Lakewood Church, …
When the Church of Notre Dame in Western Pennsylvania started to experience audio challenges with its existing boundary podium microphone, it knew a change was in order. The church was looking for a more versatile mic that was capable of clearly amplifying every person who spoke at the lectern. The new solution needed to be able to be mounted to the church’s all-marble podium, while also being long enough to reach over the height of the podium shelf where the speaker would place their reading materials.
Durisko also wanted a microphone that would sound neutral and pick up everyone from the quiet, non-projecting speaker to the professional. While researching microphone options for this application, John Durisko, parishioner and president of Satin Sound Systems Inc., decided to try out DPA Microphones’ d:screet SC4098 Podium Microphone after using it on previous projects.
All Things Nerdy / All Things Church
For most houses of worship, the biggest concern when adding any type of new gear to your facility is budget. Sometimes, trying to match what tech you want or think you need to actual money available can be overwhelming.
Barry Carter, the owner of The Church Nerds feels your pain. Barry works as an integrator full-time with churches to get them what gear they need with the budget they have. He is also putting together the Nerdy Church Talk Conference, a full three-day Church AVL conference geared towards empowering the local church through Audio, Video and Lighting.
Join with speakers from Elevation Church, Bethel Church, Lakewood Church, The Church Nerds and more in over 40 breakouts and five general sessions that include a full worship set by an Integrity Worship Artist. No matter the position you hold or volunteer in, you will walk away with a stronger foundation to help carry out the vision of your church or ministry.
Three nonprofit organizations will be awarded donations in PSA’s “Decade of Innovation” contest
Point Source Audio® (PSA), an audio equipment manufacturer specializing in the development of miniature microphones and headsets, announced that it is commemorating 10 years in business this month by donating $10,000 in Point Source Audio microphones, headsets and other gear in its “Decade of Innovation” contest.
With three patents granted for its in-house designed and engineered microphones and headsets, including two patents for its EMBRACE™ earmount microphones and another for the CM-i3 and CM-i5—the world’s first modular intercom headsets—the company has plenty of reasons to celebrate. To commemorate a decade of microphone innovations, PSA will donate three prize packages with a retail value of $5,000, $3,000, and $2,000 to three schools, nonprofits, community theaters, or church performance groups that participate in the Decade of Innovation contest.
As one of the music industry’s most highly respected studio and live mixing engineers, Russ Long recently embarked on the Christmas with Amy Grant and Michael W. Smith tour, which also features Jordan Smith, Season 9 winner of The Voice. Long needed a microphone that would capture Grant’s soft vocals without any handling noise. The solution was DPA Microphones’ d:facto™ Vocal Microphone.
Long has been using DPA mics for over a decade, but only recently tried out the d:facto vocal mic. “This past spring was my first time using the d:facto vocal mic,” says Long. “Amy’s voice is amazing and it sounds great through pretty much any mic I’ve heard her sing into. The challenge is, she sings extremely soft, so off-axis rejection is a big consideration, as is handling noise. Since she’s singing soft, the mic preamp has to be cranked up, so a mic that is only slightly susceptible to handling noise with another vocalist becomes a significant concern with Amy. Ryan Lewis, who was my system tech last year, has golden ears and insisted I give the d:facto a try. Once I did, there was no going back. It has virtually no handling noise at all and it sounds simply stunning.”
John Mark McMillan is an artist and platinum-selling songwriter that bends genres and defies traditional musical categorization. When McMillan recently hit the road in support of his latest album, Mercury …
Allen & Heath is pleased to announce the availability of the latest ProFactory channel libraries for its Qu series digital mixers. Following successful collaborations with Shure, Sennheiser and Audio Technica, the new presets cover a range of popular sE Electronics microphones, including the V3, V7, VR, 4400a and RNR1.
ProFactory Mic Presets offer engineers of all abilities an ideal starting point to get the best possible sound quickly and easily. The team at Allen & Heath worked closely with sound engineer Frederik Brandt Jakobsen at sE Electronics who developed the optimal settings for each microphone and instrument combination.
Tasked with bringing the supernatural power of God to this generation of worshippers, King Jesus International Ministry was founded by Apostle Guillermo Maldonado and his wife Prophet Ana Maldonado. Today, the ministry has a global reach that extends throughout the Americas, Europe, Asia, the Middle East, and Africa. To ensure their message is delivered clearly, church leaders rely on the clarity and natural sonic performance of E6 Earset and B3 Lavalier microphones from the catalog of Menlo Park, CA-based Countryman Associates.
Edward Puerta is the Director of Production and Engineering for King Jesus International Ministry. He is responsible for all production and the related technical disciplines at King Jesus Ministry facilities, including a 6000-person sanctuary, a 14,000-square foot TV studio, a University, and more. Additionally, he serves as the live event producer for all of Apostle Maldonado’s national and international events, which can range from small arenas for 2,000 people to outdoor, open fields with greater than one million people in attendance at any given time. Puerta discussed his fondness for Countryman microphones and provided insight to their use within the organization.
The new I2 Instrument Microphone has been engineered from the ground up for smooth frequency response, low noise, and precise polar patterns with deep nulls and natural on- and off-axis response. Their combination of small size and sonic precision makes them ideal for X-Y, M-S, and other techniques that rely on accurate coincident positioning and consistent patterns. Their tiny size makes them perfect for distance miking that is invisible on camera. Flexible new close miking techniques are aided by Countryman’s new line of instrument mounts, which are designed to mount securely and gently to many different instruments. www.countryman.com
At NAMM, Sennheiser has launched evolution wireless D1, a range of digital wireless microphone systems that lets bands go wireless the easy way. With systems for vocals or for instruments, a band’s life is made simpler: transmitters and receivers automatically pair and select suitable transmission frequencies, while multiple D1 systems can automatically coordinate themselves. ew D1 operates in the 2.4 GHz range, which is license-free worldwide. “D1 instantly readies you for making music – and takes the complexity out of wireless,” summarizes Martin Fischer, product manager at Sennheiser.
Ease of use is key
Bands can now just forget about frequency setting, matching transmitters and receivers, and getting the gain right – evolution wireless D1 offers true ease of use by doing all these time-consuming and sometimes error-prone chores for them. “Basically, all that is needed is to switch the system on”, said Martin Fischer. “The rest will happen automatically. In no time at all, you’re all set to start jamming – with all the levels right, and a stable wireless link.”
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