Bose Unveils Advanced Portability and Power with the New L1 Pro Portable Line Array Family

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Bose Professional today introduces the Bose L1 Pro portable line array systems, the next-level advancement of a PA category invented by Bose 17 years ago with the release of the original L1. The L1 Pro systems usher in a new era of on-the-go audio for singer-songwriters, mobile DJs and bands. The three new systems — the L1 Pro8, the L1 Pro16, and L1 Pro32 with its choice of two subwoofers — offer legendary 180-degree horizontal coverage along with unmatched clarity and tonal balance. A unique RaceTrack woofer design integrated into the L1 Pro8, L1 Pro16 and the Bose Sub1 and Sub2 modular subwoofers, provides extended base response and less bulk, making the subwoofers much easier to transport, carry, and fit onstage. Built-in multi-channel mixers offer EQ, reverb and phantom power, while Bluetooth® streaming capabilities and access to the complete library of ToneMatch custom EQ presets, allows performers to play with recording-studio tonal quality.

These three new portable PA systems are designed to give artists choices, suit different styles and audiences, and provide an impressive solution for creators reintroducing live music and sound experiences into venues and online platforms across the world today. The ultra-portable L1 Pro8 provides a perfect solution for intimate spaces; the portable-with-punch L1 Pro16 performs exceptionally in small-to-medium spaces; and the peak-performance L1 Pro32 is an unrivalled portable system for entertaining large audiences. With a modular design, each system is easy to pack, carry and set up, and this new generation offers a truly stunning size-to-performance ratio.

Bose Unveils New L1 Pro Portable Line Array Family

In Audio, Audio Product News, home_page, Image, Product News, Web Articlesby Media

Bose Professional today introduces the Bose L1 Pro portable line array systems, the next-level advancement of a PA category invented by Bose 17 years ago with the release of the original L1. The L1 Pro systems usher in a new era of on-the-go audio for singer-songwriters, mobile DJs and bands. The three new systems — the L1 Pro8, the L1 Pro16, and L1 Pro32 with its choice of two subwoofers — offer legendary 180-degree horizontal coverage along with unmatched clarity and tonal balance. A unique RaceTrack woofer design integrated into the L1 Pro8, L1 Pro16 and the Bose Sub1 and Sub2 modular subwoofers, provides extended base response and less bulk, making the subwoofers much easier to transport, carry, and fit onstage. Built-in multi-channel mixers offer EQ, reverb and phantom power, while Bluetooth® streaming capabilities and access to the complete library of ToneMatch custom EQ presets, allows performers to play with recording-studio tonal quality.

These three new portable PA systems are designed to give artists choices, suit different styles and audiences, and provide an impressive solution for creators reintroducing live music and sound experiences into venues and online platforms across the world today. The ultra-portable L1 Pro8 provides a perfect solution for intimate spaces; the portable-with-punch L1 Pro16 performs exceptionally in small-to-medium spaces; and the peak-performance L1 Pro32 is an unrivalled portable system for entertaining large audiences. With a modular design, each system is easy to pack, carry and set up, and this new generation offers a truly stunning size-to-performance ratio.

Martin Audio Announces Two High-Performance Cardioid Subwoofers

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Flyable SXCF118 and SXC115 purpose designed to partner WPS and WPM line arrays

Martin Audio has announced the release of two new compact, high performance cardioid subwoofers, the SXCF118 and the SXC115, suitable for both live sound reinforcement and fixed installations.

The SXCF118 is a flyable version of the SXC118 released last year and has been purpose designed to accompany the WPS optimized line array system, while the ground stack SXC115 is set to partner WPM.

The SXCF118 combines maximum low frequency output with exceptional pattern control. It features an 18” (460mm) forward facing driver and a 14” (356mm) rear facing driver, each driven independently by separate amplifier channels and DSP. Each driver has its own chamber with optimized bass reflex porting.

This arrangement produces a cardioid dispersion pattern which maximizes the front radiation, while reducing unwanted radiation behind the subwoofer. The recommended iK42 amplifier optimizes the DSP parameters for front and rear drivers to maximize the rear rejection—from 21dB at 43Hz to 28dB at 75Hz. This keeps low frequencies away from stages and walls as well as reducing reverberant energy in the room—greatly improving low frequency response accuracy and impact.

New York’s Redeemer Church Solves Problems with Martin Audio WPM

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Velocity Pro Systems recently installed and designed a new audio system with a Martin Audio Wavefront Precision Mini (WPM) array in Manhattan’s Upper West Side campus of the Redeemer Church.
Describing the installation, Velocity Pro Systems’ Scott Carman explains: “The project actually started back in 2016 because Redeemer is not just used as a church, but also as a seven day a week space for a lot of outside events such as concerts and meetings.

d&b audiotechnik launches the newest innovation to the SL-Series: the KSL-SUB joins the family at NAMM 2020

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German audio technology and solution company d&b audiotechnik today announced the introduction of a formidable new addition to the company’s exceptional SL-Series line array family. The KSL-SUB, available in both flown and ground stack (G) versions will make its debut at the 2020 Winter NAMM show, booth #18107, demo room #18816.
Driven by a dedication to designing solutions for specific need the new KSL-SUB provides a small, lightweight format that extends the frequency response of a KSL System down to 36Hz with exceptional dispersion control, impressive low frequency headroom and unmatched performance for its size. This powerful, directivity-controlled, smaller format sub enclosure allows venues of all size to experience very accurate, smooth and punchy bass response.

D&B Audiotechnik to reveal new addition to SL-Series at NAMM 2020.

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d&b audiotechnik will present a new addition to its SL-Series line array family at NAMM 2020, as well as showcasing the augmented array A-Series, which made its US debut at InfoComm 2019.
In the d&b demonstration room (#18816) the company will present various technologies, specifically featuring the A-Series, elements from the SL-Series, and Soundscape.

Intelligible speech amidst York Minster’s ethereal reverberation with the d&b xC-Series

In Audio, Audio Install News, home_page, Install News, Loudspeakerby admin

Steeped in centuries of history, the city of York’s magnificent Minster holds a revered place in the lives of locals and visitors alike. The Minster’s in-house team recently completed a ground-breaking project by installing over one hundred loudspeakers from the d&b xC-Series of cardioid columns, forming the largest system of its kind in any Minster – and becoming the largest single installation of the xC-Series to date. As a space designed for reverberant excitation by the choral songs of old, which now hosts a myriad of services and events, the requirement and challenge of this project was to deliver a sound system like no other. To enable a platform for transparency, engagement and spiritual intimacy no matter the expression of Worship.

d&b Partner, Wigwam, part of SSE Audio Group and now Solotech, in response to a commission from church leaders, commenced work on a solution capable of delivering the spoken word without distraction, and reinforcing live music for a variety of events within the Cathedral situated at the heart of Christianity in the north of England since the seventh century.

Wigwam Installation Manager Phil Goldsworthy was familiar with the 2-way passive column loudspeakers from the d&b xC-Series, which are elegantly engineered to provide effective solutions for acoustically challenging environments whilst being architecturally complementary to their surroundings. Inevitably, a RAL color matched system was the perfect companion to the soaring masonry on display throughout the Ministry.

Danley Pattern Control Navigates the Nooks and Crannies at Eastmont Baptist Church

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The 1,300-seat sanctuary at Eastmont Baptist Church in Montgomery, Alabama is both beautiful and unique. Pews wrap around a stage that is much wider than it is deep, and a large balcony overhangs much of the main floor in a similar wrap-around design. With the deep overhang, good sound reinforcement for Eastmont’s orchestra and choir would be challenging under the best of circumstances, but its previous sound system was a ‘Frankensteined’ amalgam of components and band-aids that sounded bad from the start and got worse over time. AVL integration firm Emmaus Media & Design, of Harrisburg, Pennsylvania, worked with Eastmont to design and install a high-fidelity Danley Sound Labs sound reinforcement system. Danley’s famous point-source pattern control allowed Emmaus to hit every seat with high-intelligibility, high-SPL coverage that varies by no more than 1dB!
“In addition to its regular Sunday services with orchestra and choir, Eastmont hosts a lot of touring acts,” explained Tim James, owner of Emmaus Media & Design. “Their previous sound reinforcement system was a conglomerate of components in a center cluster that was original to the building twenty years ago. The integrator evidently went out of business halfway through the project. It was a mess. The coverage was terrible. You couldn’t walk five feet without it changing. The balcony had no high-frequency content at all. Intelligibility was abysmal. When touring acts came through, they always had to bring their own PA. Eastmont wanted a new system that would sound fantastic day-to-day and that would make them proud when touring acts came through.”

James had three goals. First, he wanted to give Eastmont a stereo system to bring their music to life. Second, he wanted a system with excellent pattern control so that he could hit all of the seats without exciting the rather live acoustic space. Finally, he wanted boxes that could hit concert-level SPLs in service of the touring acts. “Danley is unique in delivering high fidelity, high SPLs, and great pattern control, even at lower frequencies,” he said. “I looked at the drawings and worked out a Danley system that would cover everything.”

Focusrite RedNet Offers Flexibility and a Future-Proof Setup for Fellowship Church Knoxville

In Audio, Audio Install News, home_page, Install News, Wireless Intercomby admin

Fellowship Church Knoxville, a four-campus church in east Tennessee, was an early adopter of AoIP technology. The opportunity came for an upgrade to the system, which its main campus in Knoxville, TN, got over the summer with the addition of several components from Focusrite’s RedNet range of Dante™-networked audio converters and interfaces, including seven RedNet MP8R eight-channel mic pre and A/D converters and two RedNet D64R 64-channel MADI bridges.
“We used the RedNet MP8R and D64R to completely rebuild the front end of the church’s audio system,” explains Phil Bledsoe, Integration Manager for The Production Source, the Knoxville-based AV integration firm that did the installation. “This church is incredibly savvy when it comes to technology — they did all of their own research when it came to choosing what to upgrade their audio network with — and they decided that RedNet was the way to go.” Bledsoe says the RedNet interfaces offered a high degree of flexibility for their current and future needs: the D64R provides ample I/O management for the church’s existing DiGiCo SD8 consoles, but with their Dante compatibility they will give the church a much wider range of choices when they’re ready to upgrade other components of the sound system. “RedNet and Dante will work with any digital products on the market, and the RedNet units are totally portable, so they can bring audio to any part of the building that already has a network point,” he adds.
Scott Bradford, Fellowship Church Knoxville’s Tech Director, and Robert Allen, the church’s Head of Audio, had narrowed their upgrade solution search down to three brands, but given their experience with audio networking, they quickly recognized the Dante-enabled RedNet devices as the most effective choice. “Our research process took almost a year — the old system was no longer being supported by the manufacturer but we had time, so this was not a panic situation with a key component melting down on us,” Bradford explains. “We could really get deep into how RedNet could help us.”

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Danley Engineers System Design for Calvary Chapel in Vero Beach

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VERO BEACH, FLORIDA: After years of steady increase, Calvary Chapel in Vero Beach, Florida had the welcome problem of outgrowing its 350-seat sanctuary. The church came up with a plan to demolish two older buildings and erect a new 600-seat sanctuary. They relied on member Joey Hale and his integration firm, Propulsion AV, to design and install an intelligible, big-impact, sound reinforcement system for the room. Hale, in turn, relied on Danley Sound Labs’ patented loudspeaker and subwoofer technologies to make good on his responsibility, with big help from Danley’s on-staff engineers for the system design and commissioning.
“Although we don’t run full concert-level SPLs, our services are very contemporary,” explained Hale. “We have a full band with a couple of acoustic guitars, a couple of electric guitars, keyboards, bass, a drum kit, a percussionist and vocalists. Our new sanctuary is approximately ninety feet across and seventy-five feet deep, with a tall, thirty-foot ceiling. It’s a big, industrial-style building, and the architect worked within our budget to make the most of the acoustics. The walls are lined with corrugated metal sheeting, which helps with some things but does make the room a little bright. The floors are concrete, but the padding on the chairs and people help. The ceiling is open, which allows the insulation to help with the sound.”
Hale continued, “I walked into a Danley demo at InfoComm in Orlando a few years ago, and I was blown away! I liked how articulate the Danley boxes were, which is especially important in a church setting where you want spoken and sung vocals to come through clean. The Danley boxes had nice, clean mids that weren’t muddy, nice musical low end, and high end that was perfectly present but not at all piercing. It was an ideal mix of what I’m looking for in a speaker. At one point during our planning meetings there was talk of going with a line array, but I felt that Danley was a better choice. Bencsik Associates [the area Danley rep] came out to our old sanctuary and simply laid a few Danley boxes on the stage so everyone could hear the Danley sound. Later, to really prove the concept, we took a trip up to Calvary Chapel Melbourne where they have Danley rigs throughout their campus. Everyone liked them, and the guys at Melbourne had glowing reviews, which added to our peace of mind.”