Using a Live Video Production Camera

by Paul Alan Clifford

There’s a lot that’s different about live production cameras from DSLRs or even consumer camcorders.

Let’s start with the lens. A production lens has the ability to use a servo-controlled zoom as well as a mechanical focus. While the aperture is normally controlled with a CCU, it’s also possible to control that with a ring on the lens.

Production camera usually have a large view finder, but may also have an eye piece and even a flip-out viewfinder.

Normally, you’ll mount the camera on a tripod with both pan and tilt locks. The tilt lock should always be engaged when the camera isn’t being controlled by an operator.

Some cameras can be used as camcorders as well and may have configurations which allow studio control that can be removed for field use. These cameras may also be used handheld and their controls make that easy.

For more on how to use a production video camera, watch the video.

Established in 1954, The United Methodist Church of Vista (UMC Vista) has been committed to serving its community through spoken word, classic and contemporary worship services, and a music program that includes a chancel choir, praise band, hand bell choir and a developing children’s music ministry. When UMC Vista recently decided to improve the sound system in its sanctuary, they called on Sound Image to facilitate the installation of a new audio system built around VUE Audiotechnik loudspeaker systems.

VUE’s i-Class Integrator Systems proved to be the right solution for UMC Vista. Four VUE i-8 Compact Full Range Foreground Systems and two i-2×4.5 Surface-Mount Foreground Systems were hung on the ceiling between the fixtures, directed down toward the congregation seating area. The i-8s and i-2×4.5s provide consistent, even coverage across the congregation area without spilling sound toward the fixtures, causing unwanted sonic reflections.

Read more.